Chloé Fall 2025: Romanticizing the Past — and Present

time:2025-03-13 07:12:49  
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Final SaleVersaceMilano Stamp embroidered wool jumperUndeniably Versace, this crew-neck jumper is spun from grey wool and embroidered with an arched logo at the front in contrasting black and white threads.Made in ItalyThe origin of the goods may vary from batch to batch. Please refer to the actual product.Highlightscool greyvirgin woolknitted constructionVersace Milano Stamp embroiderycrew necklong sleevesribbed cuffs and hemauthenticity QR codeCompositionVirgin Wool成分信息以实物为准。拼接材质商品成分详情将拆分显示。Washing instructionsHand WashThe washing method is subject to the commercial washing standardWearingThe model is 1.86 m wearing size 48The model is also styled with: Trussardi patch-pocket cotton shirtProduct IDsFARFETCH ID: 22100572Brand style ID: 10138051A09659

Chloé Fall 2025: Romanticizing the Past — and Present

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Off-White Out Of Office sneakers Highlights camel brown calf suede signature Arrows motif signature Zip Tie tag logo patch at the tongue contrasting laces branded heel counter round toe perforated toebox front lace-up fastening branded insole rubber tread sole Composition Lining: Recycled Polyester 82%, Polyester 18% Outer: Calf Suede Sole: Rubber The composition information is subject to the actual product. The product composition details of the spliced material will be split and displayed. Product IDs FARFETCH ID: 23541270 Brand style ID: OMIA189F24LEA00A6262

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If Armani is a suit and Max Mara a coat, then Chloé is a blouse. Chloé creative director Chemena Kamali could mount an exhibition tracing the evolution of fashion via blouses since her personal collection of them bulges to nearly 1,500 styles, and her personal conviction is that sleeve volumes, level of padding and yoke placements evolve with societal changes. For fall, the Chloé girl’s ivory or peach silk blouses come with broad don’t-mess-with-me shoulders, commanding sleeves, gathers galore and meaty cuffs, giving them the oomph of jackets. Along with some delicate lace dresses with frothy peplums pivoting at the hip, they were the highlights of the collection, paraded on a vast, pale green carpet set between plywood seating. The designer seems to be weaning herself, slightly, off direct references to the archive. During a preview, she did not mention her fashion hero Karl Lagerfeld, though her moodboard was clogged with Guy Bourdin images from the late ‘70s and much of the German designer’s brand-defining handiwork. You May Also Like Kamali conveyed the historic feeling of some of the clothes — an emerging story of the Paris season — in an offhand way, tossing vaguely Victorian heirloom jackets over plunging henley knits and long, narrow chiffon skirts. Demonstrative quilted coats with tubular fur trim were also in tune with an ‘80s mood gathering steam in the French capital. “I was thinking a lot about how we romanticize the past, but through an intuitive lens,” Kamali said. “Sometimes you keep, sometimes you don’t keep, but the wardrobe is like a natural evolution of our lives.” In addition, the designer said she sought to show “complexities, opposites and the different sides of the woman.” To be sure, every exit pulsed with Chloé DNA, but many felt overcharged with too many dangling gold chains, logo belts, fur pompoms and assorted talismans. Charm-laden handbags — including the relaunched Paddington — were often carried in multiples. Collection Gallery 50 Photos View Gallery Kamali has already proven she is at one with the brand spirit. It would be great to see her inject more of her personal imprint and dial down the retro quotient. The blouse category — she only showed a handful of them on Thursday, all terrific — could be a great place to start.

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